Opera is dramatic and incisive, known for its ability to swiftly expose universal truths about human nature in just a few acts. But just as art imitates life, so too does life imitate art—and in the case of Plácido Domingo, who resigned as director of the Los Angeles Opera following multiple sexual harassment allegations last week, the line between art and reality has become increasingly blurred.
The allegations facing one of opera’s most prominent voices has exposed deep truths about power in the workplace and the compounding repercussions that women, and in turn our economy, face in the wake of workplace sexual misconduct. But we must not lose sight of the survivors of the alleged harassment.
Twenty opera singers who worked with Domingo have reported incidents of sexual harassment going back decades—including groping, unwanted physical contact and persistent contact, often late at night. In response, these women developed an “oral tradition,” as one mezzo-soprano called it, where women would warn each other about Domingo’s behavior and share tactics for how to avoid him or get out of situations alone with him. That choice often stunted their professional growth.